Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).

Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

An animated film for five- to eight-year-olds on children's right to live with their parents. It tells the story of a child who gently but persistently tries to attract the attention of her father who is wrapped up in his work.

A young man, Ben Freidman (Scott Wilson) raised by wealthy adoptive Jewish parents in Beverly Hills, decides that he is ready to finally meet his biological parents. He faces disappointment upon learning of the death of his biological mother. His biological father, meanwhile, resides in a psychiatric care unit.

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In order to increase yield in the collective farm, the process of renewal of grape varieties is underway, this process also applies to homestead vineyards. Pioneers also help elders. Papa Gigia understands the importance of the process, but he does not want to cut a vineyard on his homestead because of the memories of his youth. His grandson, Dato, who doesn't want to lag behind his comrades, starts pruning the vineyard arbitrarily, for which Papa severely punishes him. But when Dato's behavior becomes the object of criticism by the pioneers, Papa forgives his grandson and cuts the remaining vine himself.

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